Interstellar 4K 2014 Ultra HD 2160p

Story Movie

The film 4K movie 2160p for download, narrates about a group of researchers who use a newly discovered tunnel in space, a wormhole, to go beyond the familiar cosmic boundaries and conquer grandiose distances during their interstellar 4K journey.

Review 4K Movie

The earth is dying. Wheat crops are destroyed by diseases, farmers who grow corn, pester dust storms, and the states hardly keep afloat. They no longer have the resources either on the army, on social programs, or on the support of science. Humanity can survive only if it immediately begins to explore the distant cosmos. And such an opportunity is given to him when telescopes find in the vicinity of Saturn a cosmic "wormhole" that opens a passage to the neighboring Galaxy. Probes detect within the limits of technical attainability several planets, theoretically capable of sustaining life, and expeditions are sent there for closer study of new worlds. A few years later, the second phase of the intelligence program begins - an assessment of the data collected and a final decision. For this, a new expedition is sent to space under the command of the former Cooper pilot (Matthew McConaughey) - the last cosmonaut prepared at a time when such missions did not yet have to be organized secretly from taxpayers.

"Interstellar 4K" was born as a project designed for Steven Spielberg as a director. Christopher Nolan became interested in him when his brother Jonathan was hired as a screenwriter
Why do we love the director Christopher Nolan and his brother-script writer Jonathan? For the fact that they manage to create simultaneously high-brow and emotional, as well as deep and exciting projects like "Beginning", "Remember ...", "In sight" and, to a lesser extent, "Dark Knight". How many creators, even recognized and distinguished, are sacrificed for one another! And how often the "clever" fantastic film in 4K turns out to be cold and almost lifeless, and the warm and emotional cinema, on the contrary, requires the viewers to turn off their head, because they will not need it during the viewing. The brothers Nolan also manage to sneak over and over again between Scylla and Charybdis. And they stand out so much against the general background that they have almost no competitors.

The space epic Interstellar is the next and most ambitious demonstration of Nolan's superiority to date. "Dancing" from the most important expedition in the history of the future of mankind, the film embraces myriads of highbrowed topics - from the nuances of quantum physics to approaches to designing robots and from strategies for saving humanity to a variety of conditions on planets revolving around other stars. However, this is by no means a tedious lecture, in the course of which the characters-mannequins set forth author's thoughts to each other (and, in fact, to the audience).

Of course, in the Ultra HD movie there are still moments when the characters stand in a pose and explain to the public what is going on, because hardcore science fiction can not be built otherwise. But Interstellar is basically not a scientific but a human story about a father who flew to save the world, although most of all he wanted to be with his children, and about his children who, because of the "twin paradox" (under certain conditions the time for the cosmonaut flows more slowly than for those who stayed on the Earth) have time to grow up and become parents themselves while their father spends several years of his time in wandering around the universe.

"Interstellar 4K Ultra HD" is the first collaboration between Christopher Nolan and the Dutch production director Hoyt Van Hoytem ("Let me in," "She"). Nolan completed his cooperation with his permanent operator, Wally Fister, when he began his own directorial career with the production of "Excellence"
This is a piercing, soul-taking narrative that only benefits from the selfishness inherent in present-day Americans. The Soviet cosmonauts and their families, brought up by the war, were ready to put up with personal losses for the sake of the country and humanity. For the heroes of Interstellar, this sacrifice is a novelty, and this makes them more vulnerable, more humane, and therefore more dramatically interesting characters than if they were "our people" in their place. Although, of course, it's a pity that the Nolans for the whole film never mentioned Russia and the Russian space program and did not include any non-Americans in action. Patriotism is patriotism, but the salvation of mankind can not be a nationalistic project, and formerly Western cosmic epics of such a scale have cut out a spot for "ours".

Another minus of the picture is the actual futility of the cosmonaut Amelia Brand flying with Cooper. The heroine Anne Hathaway needs a script only to discuss Cooper's ideas and sometimes fall into the trap. When you need to save the situation, Cooper does it alone or with the help of ship robots (by the way, their design is unique - it has no analogues either in life or on the screen, and this is an amazing find of the tape makers!).

In the framework of the film, this is due to the fact that Amelia is an expert on the creation of alien colonies, and before that, the hands do not reach the heroes in the course of the action. But this does not excuse the Nolans who brought the woman.