Frankenhooker 4K 1990 Ultra HD 2160p

Story Movie

As a result of an accident, Jeffrey's girlfriend died, and he decides to bring her back to life. He has everything he needs to do so, except for the raw materials.

Review 4K Movie

What is art? What draws people in, compelling them to gaze at paintings, listen to music, watch movies, and enjoy watching people dance? In his book *The Brain Tells: What Makes Us Human*, Indian neurologist V. S. Ramachandran suggested that art is based on the distortion of familiar forms and processes. In general, this idea serves merely as a catalyst for further reflection on the nature of creativity, heuristics, and so on. Not every distortion is art, but every work of art is a distortion. Painting is a distortion of reality (especially when it comes to surrealism and suprematism). Dance is a distortion of familiar human movements. These distortions draw attention to the elements the artist wishes to emphasize—which is, in fact, what is called the “artist’s perspective.”

And here comes Frankenstein’s Bride—a film that distorts reality like a prism of light. Original and funny, it breaks the mold and truly forces you to see the world through different eyes.

Of course, one could sarcastically note that the film’s originality is itself original and recall Mary Shelley, Lovecraft, and Stuart Gordon. But I wouldn’t do that, because I view this film as a postmodern creation, and criticizing it for borrowing imagery is simply foolish—and comparable to criticizing, say, Pelevin for using characters from a Soviet film in his novel *Chapaev and the Void*.

The plot follows a medical student who’s been expelled and decides to resurrect his dead girlfriend, armed with nothing but her head. He drills into her skull with a power drill, then cooks up a super-crack that has the ability to literally blow up anyone who uses it. It looks just as amazing as it sounds. Have you ever seen people explode after taking drugs? It’s as silly as it is brilliant, and as fresh and funny as it gets. It’s impossible to describe these actions without using antitheses. The film surprises. And that’s what matters most.

There’s no need to label ‘Frankenwhore’ as trash. It’s more of an arthouse film that, of course, has trashy elements—but only because it’s a comedy. If you took all the humor out of the film, you’d end up with something like David Lynch’s ‘Eraserhead.’ Which would also be great, but it would rob the film of its charm, which, in my opinion, is one of the film’s strongest points.

The film has no jokes in the classic sense, aside from visual gags, like a hamster exploding from the effects of drugs.
The film entertains in other ways: it’s funny because of the very idea of sewing a woman together from prostitutes; it’s funny because you realize this man stole the head of his own dead girlfriend; and it’s funny because of the absurdity of what’s happening. Overall, this can be called alternative humor, which isn’t for everyone and requires a specific mindset to understand.

When viewed as a serious work, however, the film is also quite good. Considering the symbolism of this film, one might recall Mary Shelley and ask a logical question: Or is this a modern Prometheus? Was it necessary to resurrect the girl, to stitch her body together from other girls? Isn’t this a metaphor for the search for new love after a difficult breakup? Or are there things that cannot be changed, and a futile search only breeds a monster within you? Perhaps the film is telling us not to get fixated on the images we’re used to and not to look for traces of the old in the new? Because it won’t lead to anything good.

Everything flows, everything changes. If we don’t change along with the world, we’ll go mad… which is also fine, but within a slightly different value system.

As a friend of mine used to say: if you don’t want to punch your 5-year-old self in the face, then you haven’t lived those 5 years right.

Ultimately, I want to say: no matter how you interpret this film—as a comedy, as art-house, or as Asylum-level trash—you’ll enjoy watching it.